I'm diggin this video

by The Dead Weather. They have this really alluring southern gothic rock n roll charm. The lyrics are inspiring, reminding me to do do do...

The Good, the Bad, and the Pretty

Well, I'm still having structural issues with creating the carnivorous project, so that's currently on hold.

But I heard today back from the committee that I got into the Dublin Art Fair! It's July 17th and 18th. Yay!

Also, wanted to share some inspiration that I've been looking at recently. First are Erika A. Uzmann's enamel and silicone slugs. They're brooches! Second are Tosca's crazy alien looking biology specimens. Beautiful work. I can't wait to get my ass in my studio.

Inspiration

Beautiful work by Sharon Church. I love her imagery, and her ability to really transform natural objects into objects that look mysterious and talismanic.

This seems terribly relevant

Relevant to some of the things I'm thinking of anyway. Lots of images of women and monsters in pop culture. For example:




Lady Gaga and a Lovecraftian horror.

Musings on narratives

I started to talk about narratives a bit. I didn't really get into the meat of the discussion, which I had with my husband Travis after I made the post, and thought about to a greater extent for the rest of the evening. Allow me to divulge.

I was touching on some things that I've been musing about for some time now. For me, personally, its really hard to pin down my style as an artist. I know what I like, but knowing how to apply that to what I'm thinking and what I'm making is often a really difficult task for me. I think this has all been culminating over some time now. Looking at jewelry blogs every day, contemporary work in new books that I buy, DIY stuff that's happening in my community... I've been developing these thoughts about it. I'm not a huge fan of contemporary jewelry, never have been. That's a large blanket statement, really, cause there's tons of different styles that fit the category "contemporary", and some of them I do legitimately like. I mean, technically, what I'm making is contemporary, and I'm not really sure what categories jewelry being made now fit in to. And not to knock those artists, I think that what people make today is valid, important, and contextual in relation to the modern history of jewelry making. But there's a few trends I'm a little tired of seeing.

1. Botanical themes. Jewelry that is natural objects cast in metal, or jewelry that is supposed to mimic nature. I think these are really pretty, of course (I'm guilty of it, I love tree branches and motifs). But I feel like I see these everywhere. EVERYWHERE.
2. Ultra-modernist abstract shapes of gems and metal piled on top of each other in asymmetrical compositions. Sometimes these involve red string. Again, I think some of these are pretty awesome, but its trending pretty hard right now, and I'm not a huge fan of modern art in general let alone jewelry or body art that is mimicking it.
3. Recycled, green, or alternative materials. Yes, this is a hot topic in our culture in general currently, and has been for a few years. I think the idea behind this type of artwork is really beautiful, and sometimes so are the pieces being made. But I feel like its been seriously overdone, and while I like to be surprised by materials, I feel to a certain extent like the materials don't directly relate to the work being made, and that those materials are just being used to be used.

Why all the hate on contemporary jewelry standards, you're asking? Well, its not really hate, its just not my aesthetic. There! I've come to terms with that. I think a lot of my thinking in the past few years is "how can I fit my work into this contemporary aesthetic so I can sell it to galleries who will consider it to be art?" when I should have been thinking "what is it that I'm trying to say, what is my aesthetic?" Developing a style is one of the things I struggled with in art school, and something I struggle with to this day. I don't have a definitive style. I latch on to other styles, and while my work has some style, its not completely my own. I think this is part of what's taking me so long to make this next body of work. I'm having a major design crisis. I like my old pendants, but I feel like they aren't saying entirely what I want to say.

SO, all this to say I had a bit of a revelation last night. All the things I've been thinking about kinda came to a head when I started looking at the Symbolists again, especially Beardsley. Let me try and lay this out.

These are the images and ideas I've been bouncing around:

• Modern and Ancient ideas of Femininity
• Mythology
• Magic and Talismans
  
• Ancient styles and Victorian styles
• Duality
• Narrative - illustrative elements based on archetypal or ancient stories and images
• Stark design elements - silhouettes, black oxidized metal, antique colors and large shapes

And then I realized... I CAN DO ALL OF THESE AT ONCE. So what I'm going to try and do is combine all these ideas and aesthetics. I want to create a new series, that has a black linework style, with a narrative that concerns the archetypal images of women in myth, their relations with desire, memory, and temptation, and reverse these images (role-reversal, put women in a place that's unexpected). The example I gave last night was Eve tempting the devil with an apple. This, in a way, is a magical act, revealing the truth behind the modern illusion of the image of the woman.

These are still pretty preliminary thoughts. But I'm excited about it. More to come.

Doing some research

Beardsley

Durer

Tiepolo

Looking up some narrative and allegorical work. I've always been intrigued by this type of work, as well as the symbolists. It's something I've been dwelling on recently, so I'm gonna look into it a bit more. I'm torn right now between painting styles and etched styles. I think this linework would look rockin on a pendant. I know, sketching would help, right? Heh.

reference/inspiration

I've collected some images today of what I'm thinking of for this series of duality pieces. For some reason, this idea's got a hold on me. My plan is to put up a cork board in my studio, so I can actually look at these pieces while I'm working. Here's a few of them, plus my sketches for the day.

The Temple of Hephaestus

I've been the anti-productive. Mostly cause... I'm trying to get things done before I start traveling the country once more for my lovely admissions job at CCAD. Fall is visit high schools and do portfolio day season.

And so I dedicate this post to Hephaestus. May he forgive me for not working harder with my evening time, and inspire me to start. And for the love of baby jesus get me into the jewelry lab this semester to use the dapping block and roll press.

Another artist inspiration post

Richard Salley's work calls out to the junk collector and steam punk in me. His work is really intricate, and involves so many different materials and techniques. I love looking at his new creations.

Oh hai

So, I had meant to put up some more pictures last night, but then I got distracted by errands and getting new cell phones (Saumsung Eternity through AT&T, we'll see how that turns out). Also we're canceling our cable. I know. Crazy, right? Turns out, there's just not much I wanna watch on TV anymore. At least, nothing I can't watch on Hulu or somewhere else online.

In lieu of sharing some of my jewelry, I'll share some of my recent inspirations.




Modern myth illustrations by Joao Ruas. Beautiful light, characters, and monsters.

This enamel work is so amazing, and reminds me of some of the work I was doing back in college with nerve endings mimicking natural roots and trees. Tricia Harding's jewelry is like if Queen Victoria listened to Tool.

The Tale of How

An amazing animation by some guys called The Blackheart Gang. Found this on one of my favorite blogs, Ectoplasmosis! It was circulating the web last week I think, but I still think its fabulous enough to share again.

The Tale of How from Shy the Sun on Vimeo.